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Egg Tempera
Instructor:
Patricia
Miranda May 12 – 16. Mon – Fri, 9 am
– 4 pm or July 21 - 25 Mon – Fri, 9 am – 4 pm $630
- 1 credit
Learn the techniques of
this ancient art medium. Pre-requisite:
Understanding of painting or drawing
PRINTMAKING Degas’ Favorite
Instructor:
Jim Reed May 12 - 14. Mon-Wed, 9 am – 4 pm.
or August
4 - 6. Mon-Wed, 9 am – 4 pm. $350 + $40 model fee (each
session) - 0.5
credit.
Create monoprints on the
spot with a model. Many of Degas' pastels were
first created as monoprints with the pastel
added later. No printmaking experience
necessary. Non-toxic and user friendly. Limit, 9
students. Pre-requisite: Understanding of
painting or drawing.
Narrative Painting: Storytelling Through Painting
Instructor: Roland Becerra (begins May
28) Wednesday Evenings 6 – 9 pm for 5 weeks
$350 - Non-Credit
Students will learn the art
of story telling through painting. Students
will be challenged to focus on content and
meaning while utilizing formal elements such as
light, space and weight to create a believable
world. Every element of the painting will add
substance to their story. Once a student
decides upon a story they would like to tell,
the instructor will guide them through the
realization of their vision. Students are free
to explore whatever subject they desire;
everything has a story to tell. The class will
begin by gathering source materials such as
photos, memorabilia and drawings, and will
carefully compose paintings based on what
they’ve gathered. Students will study artists
whose work deals with strong allegorical
content.
Pre-requisite:
Understanding of Painting in any medium.
Evening Landscape Painting
Instructor:
Roland Becerra (begins May
29) Thursday Evenings 6 – 9 pm
for 5 weeks $350 - Non-Credit
Sunsets in the Old Lyme
region are a work of art. This class will work
on location to capture the unique colors which
emerge during the early evening hours. This
course is open to all painting media, and
students of all abilities.
Pre-requisite:
Understanding of Painting in any medium.
Pastel Landscape
Instructor:
Nancy
Gladwell June 2 - 6. Mon-Fri, 9 am-4
pm. $630 - 1 credit
Working on location in the
area's incomparable shoreline terrain, students
will study the effects of light and atmosphere
through the pastel medium. Each day will
contain a demonstration to illustrate a specific
technique and compositional principle. Concepts
such as atmospheric perspective, color as space
and organizing spatial fields through value
masses will be taught. Students will work on
two different landscapes each day. Individual
instruction will be supplemented with group
critiques.
Pre-requisite: Understanding of
painting and drawing in any medium
Figure Painting
Instructor:
Jerry Weiss June 2 - 6. Mon-Fri, 9 am-4
pm. $630 + $65 Model fee - 1
Credit
This workshop is devoted to
a traditional and lively study of the human
figure. The ''traditional'' approach is
concerned not so much with the technique or time
spent on a picture, but rather with a
concentration on the foundation of good
draftsmanship from which solid results will
unfold. ''Lively'' refers to both the
observation of gesture in the human figure and
to the vigorous application of paint.
We will be attentive to
composition, simplification of value structure,
and the development of color. After considering
the composition of the picture, we will study
the effect of light on the large masses of the
figure, gradually working toward development of
the smaller planes of the body. While
observation and accurate representation of the
figure are taught, we will work from the live
model, which calls for a response beyond the
rendering of surfaces.
Students will receive
instruction appropriate to their levels. There
will be a group critique, frequent
demonstrations by the instructor, and a slide
presentation. Students are advised to begin by
drawing, and may work in any media.
Pre-requisite: Understanding of Painting in any
medium.
The Portrait
Instructor:
Peter
Zallinger August 4 – 8. Mon-Fri,
9am-4pm. $630 + $65 Model fee -1
credit
A multi-level course which,
through demonstrations and individual
instruction, provides the students with a
systematic approach to drawing or painting the
clothed figure, concentrating first on the head
and shoulders. The subject is viewed as
sculptural form and portrayed in two dimensions,
first as an ordered set of value patterns
derived from light reflecting off the model’s
various planes. These value patterns are
translated and explained further in color as the
student proceeds through a sequential process.
Resemblance is a natural by-product. Students
are encouraged to use a simplified primary
palette.
Pre-requisite: Understanding of
painting and drawing in any medium
Landscape Painting
Instructor:
Jerry
Weiss August 4 - 8. Mon-Fri, 9 am
– 4 pm. $630 - 1 credit
In this workshop students
will paint at local sites in Old Lyme, paying
particular attention to composition,
draftsmanship, light conditions, color, and
atmosphere. Initially students are encouraged to
concentrate on simplification of value and color
shapes, the two dimensional patterns of picture
construction, and then continue to the
resolution of atmospheric perspective and deeper
space. Throughout, the study of nature serves as
a philosophical touchstone.
The purpose of the workshop
is to further one's personal development as an
artist by sharpening observational skills,
strengthen facility for drawing and painting,
and teach a greater understanding of the ideas
and craft of landscape painting. We will be more
concerned with the intelligent construction of a
picture, than with its “completion,” per se.
The class will be devoted
primarily to plein-air painting, often traveling
to different sites in the morning and afternoon.
Students will receive individual instruction as
well as group critiques, frequent demonstrations
by the instructor, a slide lecture, and a museum
visit. In the event of rain, we will also have
the use of an indoor studio. While students are
encouraged to begin by drawing, all media are
welcome.
Pre-requisite: Understanding of
Painting in any medium.
Evening Landscape Painting
Instructor:
Michael Viera August 4 - 8. Mon - Fri
Evenings 5:30 – 8:30 pm $350 - Non-Credit
This painting class
utilizes the late afternoon and evening light of
summer. Students will develop paintings
that interpret the light and color of the
setting sun at various beautiful locations along
the Connecticut River. Students will
explore many painting techniques and methods.
All levels are welcome. Class
demonstrations will be provided, but emphasis is
on individual instruction to encourage students'
own sense of personal expression.
Pre-requisite:
Understanding of Painting in any medium.
Introduction to Watercolor Basics Instructor:
Suzanne Siegel
July 16 – 18. Wed-Fri, 9 am – 4 pm.
$350 - Non-Credit
A three day summer workshop
for people who have never painted in
watercolor. Drawing skills are not necessary.
This workshop will give students a
thorough introduction to basic materials, skills
and methods for working with transparent
watercolor with a limited palette.
Demonstrations will show each step for achieving
a sense of form, space, light with the
transparency and luminosity specific to
this medium. In three days you can learn the
basic skills of this magical, luminous medium!
Pre-Requisite: None
Watercolor Landscape
Instructor:
Suzanne Siegel
July 21 – 23 Mon-Wed, 9 am-4 pm.
$350 - Non-Credit
This is a three day summer
workshop for people who have basic skills in
watercolor. Students will be shown how to
complete works on location by using a limited
palette, and how to gather the most useful
information in a brief amount of time, to
complete larger works indoors. Principles of
design and color theory, and ways to simplify
shapes for more spontaneous results, will be
presented. Demonstrations and lectures,
individual instruction and group critiques are
included. A studio is available for inclement
weather.
Pre-Requisite: A good knowledge of basic
watercolor skills.
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